Top Five Reasons Why I Wish You Were Tweeting

June 23rd, 2010

This is not a list of why you *should* be on Twitter. I’m sure everyone has already told you all about that. But have I told you why *I* want you on twitter?

Please, hear me out.

1. I MISS YOU

Yes, it’s true. I miss you! I know it’s not the Olden Days where we use to pick up phones and actually call each other but you know what? Just because we’re a bit busier now doesn’t mean I don’t like knowing what you’re up to. And on that note…

2. DEEP DOWN, WE’RE ALL CREEPY STALKERS

Admit it. You know it’s true. Sometimes you miss me too, maybe it’s 2 in the morning and you don’t know what time zone I’m in so you don’t want to risk calling and it’s actually 5am and then we’re no longer friends. Isn’t it nice to click a few links and know what I’ve been up to in the 2 days since we talked? Ok, maybe you don’t care. Actually I know you don’t care but I do! See: Reason Number One

3. I CAN’T BE THERE TO SEE WHAT YOU MADE FOR DINNER

I can’t always come over for dinner but that doesn’t mean I don’t wanna see what you’re cookin’ up! Please, post pictures, recipes…anything! While you’re at it, you know I really want to see how your kids/turtle/fish/dog/garden are progressing as well. I can’t always be there to see it first hand, but it doesn’t mean I don’t want you to share it with me :)

4. YOU’RE FUNNY. AND YOU KNOW IT.

Sometimes you think of your funniest thoughts and ideas when you’re alone. What are you going to do, wait until the next time you call me, 5 weeks from now, to tell me all about it? Just tweet it. And while you’re at it, make a funny face and post that too. You never know when I might need you to cheer me up.

5. BREAKING NEWS

Sometimes in life, between our jobs and commute and attempt to pursue leisure, we miss out on what is going on in the rest of the world. If you find something out that interests you, would you tell me about it? If you tweet it, I will know about it right away and you never know who else might be interested too! Don’t hide your breaking news away from us…inquiring minds want to know!

Well there you have it. There’s why I would love it if you joined me on twitter and helped me feel a little closer to you, even though we’re out here living our lives. Thanks :)

http://www.twitter.com/billypettinger

Squirt’s First Blog

June 22nd, 2010

Greetings!

Hi there, I’m Squirt, Billy the Kid’s tour manager/roadie.

You need about 8 arms to do my job (which, thankfully, I have) and on off days I will be checking in here with you on Billy’s behalf.

So far we have been SO FAR!! I was only born recently over in Vancouver (where Billy is also from) and since then I traveled ALL THE WAY TO TORONTO and now, London Ontario for COCA.

So far, we’ve been to the Perez Hilton Much Music Video Awards after party (we got there in a limo, I still don’t know why or how though), the Universal Music Group after party and the Arkells show featuring Keisha and Katy Parry at the Horseshoe.

Today we traded visas on the rental car cause visa lost Billy’s new card (she was pretty mad), picked up the merch and drove to Coca will Joel from the Pilot Agency.

The flying part to over here was ok except for when we checked in. I couldn’t really hear what was going on (because I was living in a backpack) but from what I could tell they made Billy leave her case AT THE AIRPORT! She was allowed to take the guitar on the plane, but not the case. Does this seem weird to anyone else? What do I know, I’m just a squid :/

Tomorrow we’ll go rent a piano and buy a new case then hang out for more fun COCA things. It’s fun here in London town! We will go to sleep now, it’s a busy week.

Nice to meet you, let me know if you have any questions for Billy or I.

Squirt!

I’m An Indie Musician…How Do I Get Started?

June 2nd, 2010

Hi Billy,
I recently saw you perform on the Hour and loved your songs, your attitude about
throwing out the maps and finding your own way and your advice to anyone trying
to be heard in the music industry about staying true to yourself. Something
about your philosophy reminds me of my friend Sarah, who is an amazing
singer/songwriter living in Ottawa at the moment….True Canadian content, her
songs are original and beautifully written and need to be heard by more
people….She has done some recording but isn’t sure what the next step should
be…and ends up singing mostly for friends at parties and everyone tells her
that more people need to hear her music…Thought that you may be willing to
give a few tips on what she should do next? How to get her songs out there?
Thanks,
Teresa

I love this question :)

When you’re an indie musician, the question of “What’s Next?” is always on the horizon. Even the second you release/record/perform/succeed, your work as an indie artist is never done. You could work all hours of the day and still, there is always something more you could do.

So, the question is, What in fact, can we do? And where to start?

I really believe that you should never listen to anyone but yourself, because only you know what is best for you as a creator. That said, there are a lot of great ideas out there that we can borrow and make our own. Whether you’re an Artist in it for Art’s Sake or a performer just trying to get in front of as many people as possible or make as much money as possible, there are a couple things I suggest you do. But keep in mind at all times, I do not know what it best for you. Only you do.

If a tree falls in the forest and no one hears your album, what was the point of recording it in the first place? You can’t expect the first thing you record to be in high demand. Why would it be? No one has heard of you. Sorry, I know the truth hurts. You want people to hear you, right? Would you buy an album from someone you had never heard just because they said “Buy my album!” or “Check me out!”? Maybe, but most likely not. So, rule number 1: Get Heard.

You can do this by giving your music away. As much as possible. Burn CDs, press promo copies, email mp3s, create a website with free downloads, include your music in every avenue known to humanity and then start researching more that no one has yet heard of. Whatever you can think to do to get people to hear you, do it. You probably have more/better ideas than me. So, start thinking.

And that’s just the recorded side of you. There’s also You Live. First, you have to get good. You think you’re pretty good now, right? Sorry, you’re not that good. Maybe you are, but before you get in front of people, try your best to become GREAT. Seriously. Just try. Try for one month straight. Record yourself, video yourself, write with other people and practice as much as you can. Play every single day. In one month, you will look back and say “Wow, I thought I was pretty good a month ago…I sucked!” (Don’t get me wrong I’m not saying you suck…I haven’t even heard you. I’m just saying that if you really focus, you will get better without even realizing it. Then and only then is when you should get in front of others.)

So now that you’re good (and by good I mean GREAT) you need to get shows, right? Now you get to learn how to be a booking agent. Yep, sorry about that. And yes it really is as terrible as it sounds. Booking agent is one of about twenty million hats you will wear in the first 5 to one million years. How do you book shows when you’ve never done it before? This sounds hard. And, scary. Well, people have been doing it for decades, and we have all had to stand in a room and watch a band that is terrible and wonder “HOW, on earth, did ANYONE book this band!?” They did it, and they’re terrible…well you’re pretty good now so hey at least you’re one step ahead of the competition!

Speaking of the “competition”…they are now your best friends. Every other band is now: your family. You wanna get your music heard? You wanna play a ton of shows? Welcome to our family. We’re a collective of like-minded individuals who want the same things as you and believe it or not, we want to help you. So, come to our shows and ask to open for us. Offer to put on a show in your town in exchange for a show in your town. Oh ya, forgot to mention you have to become a promoter as well. Sorry about that too. And yes it really is as terrible as it sounds. You’ll probably lose some money sometimes, but sometimes you won’t. You’ll also make a lot of the best friends you’ve ever had and have some of the best times you’ve ever had.

You’re probably starting to notice that you’re having to do a LOT more than just “play music”. But all you want to do is “play music” so why should you have to do all this other stuff? Welcome to rule number 2: Learn Everything.

If you think someone is going to swoop in to your life and start doing everything for you, power to ya! I really hope that happens for you. It is likely that might happen for you. It is increasingly more likely to happen if you learn to do everything.

Once you’re GREAT, Getting Heard, becoming a booking agent, becoming a promoter…wow things are really moving along! In steps: Help. Help consists of all types of people. Help might be your kid sister passing out CDs at school, or a member of your street team putting up posters in exchange for free guest passes. Eventually it may even be a booking agent who is not you or even a manager who is not you. Who knows! The possibilities are endless and since you know what’s best for you, you can make up the rules. Hooray.

Additional skills in your bag of tricks could/should include: Design skills, web programming or basic coding knowledge, silk screening or printing, van fixing, navigation, online promotion, musical instrument repair and anything else you can learn in your spare time when you’re not writing amazing songs. If you have band members you can delegate tasks, just remember not to be a martyr and say things like “I do everything around here”. Some people are good at doing, some people are not. You either are that person or you are not. If no one in your band is, you can probably figure out what will happen. If you cant figure out what will happen, the answer is: Nothing. The more your band members learn, the stronger your chances are. If you’re a solo act that’s ok, maybe you can recruit your mom or best friend to pitch in. You have all the answers so you figure it out. Or at least give me a commission as I’m an indie artist and could use the extra money ;)

Oh last but not least, Get A Good Job. Sounds unproductive to your music career, I know. But sadly you will need a lot of money to fund your passion at first and the best thing you can do for this investment (your music career) is invest in it. Get a good job, and then get another good job. Save up all your pennies for cds, merch, a van (eventually), some decent gear (it doesn’t have to be top of the line) and living expenses. Once you are GREAT, Getting Heard, Booking, Promoting and learning as much as you can, you might be surprised…you may even make a few bucks :)

That’s all for now, let me know if you have any questions at all and thanks for writing.

Who of you is Getting Great, Getting Heard, Becoming A Promoter and Becoming a Booking Agent out there? Who’s learning? Can you share some Team Indie ideas with us team members?


A New Bio For Billy

May 20th, 2010

Just wanted to post this new bio that Keith Carman wrote for me. If you’d like Keith to write your bio please contact me and I will pass on his contact info. I thought he did a really great job :)

Billy The Kid

Life tends to give us what we want…but never how we expect it.

Witness phenomenal Vancouver, B.C. singer/songwriter Billy The Kid. Culled from the same passionate ambrosia that spawned musical greats such as Bob Dylan, Bruce Springsteen, Billy Bragg and Elvis Costello, this golden throat has been accosting the world of music for years with her refined craftsmanship, bold musical talent, extraordinary songs and overt beauty—aesthetically and aurally—epitomized on latest EP The Lost Cause (Lost Records).

As The Kid will admit however, while initial goals of success were envisioned as a collective, Life had other plans in store. Recognizing her innate abilities, it prodded her towards independence and therefore greatness.

“My parents put me in piano lessons at eight. I hated it,” she notes, admitting that despite a sour introduction to music compounded by her difficult early life as a foster child who left home at 12, creativity quickly took over her life. “I’ve been playing solo for as long as I can remember. I started learning to play guitar in the corridors of my high school and my first show was around 16 years old. I had a band but any time the band couldn’t show up, I’d still take the gig. Any chance to play, I’d take it.”

Grasping those opportunities eventually thrust Billy The Kid into many unexpected spotlights. From punk rocker to pianist, folk crooner and eventually label owner (founding Lost Records in order to support poignant underground music), all of these experiences culminate in the striking and powerful experience that is The Lost Cause, a call-to-arms for individual thinking, personal pride and refusal to relent.

“I’ve always liked all sorts of music and I’ve always played all sorts of music,” she notes about her musical diversity. “I grew up in punk but always loved roots and folk. Songs, really. Any song with a story or a life of it’s own were always my favourites. I’ll still put out rock music and write songs on pianos because at the end of the day, they’re all songs, aren’t they? That’s the thing about The Lost Cause and those whom adhere to it. It’s about finding your own way regardless of what others may think.”

Contextually, The Lost Cause is founded on The Kid’s desire to stay rooted, natural and sincere. Compelled by her struggles as a genuine artist constantly confronted by masked jackals both personally and professionally, The Kid never finds herself with a lack of inspiration, deeming The Lost Cause to be culled from one particular emotion:

“Honesty,” she declares bluntly. “I write a lot about hard times. There seems to be a lot of inspiration for that these days. There is a lot of music out there that is made to make money. It doesn’t really stand up for much. I strive to stand up for what I believe in; don’t really care about what musicians are ’supposed to do’ in order to succeed.”

“My hope is that this thirst for honesty is what attracts our supporters,” she continues. “People are smart. They know they’re being advertised to and music is just the soundtrack to the pop star commodity which takes away all credibility. I’m independent through and through. I believe in throwing out the map and finding my own way.”

Considering that The Lost Cause was produced by Raine Maida (Our Lady Peace, Kelly Clarkson, Hillary Duff, Avril Lavigne) and boasts a vast array of legendary talent including pianist Garth Hudson (The Band, Bob Dylan), drummer Randy Cooke (Ringo Starr/Dave Stewart), guitarist Ben Peeler (Jacob Dylan/The Wallflowers) and harmonica player Stan Behrens (Ruth Brown, The Four Tops) it’s safe to say that Billy The Kid was never off course.

In fact, amassing accolades faster than one can keep count, The Lost Cause is becoming a blueprint of its own for heartfelt music: attaining the Number One position on Much Loud’s charts, The Kid being hand-picked to perform as a part of the legendary Warped Tour, featured Indie Spotlight/Folk Music Spotlight on iTunes Canada, an MSN Sympatico Indiscover Featured Artist, nominated for XM Radio’s The Verge Artist of the Year, holding the top two positions on Earshot’s college listings, radio and television support, winner of three Georgia Straight Reader’s Choice Awards and more. The Lost Cause has certainly found itself at the top of the musical Mecca.

Still, with The Kid’s congenital musicality, professionalism and spirit comes a healthy dose of humility. Gracious, she is thankful for The Lost Cause’s distinctions yet refuses to let them throw her off balance. Instead, they prompt her to sets sights even stronger on the ultimate goal: creating the music in whatever fashion Life has in store.

“The main goal always has been and always will be to just keep on keeping on,” she smiles. “I’m here to spread the Gospel of The Lost Cause; make music for whomever will lend their ears to listen.”

How To: Vegan

May 1st, 2010

Got a great question from an old friend, thought I’d post it seeing as it’s something that comes up every now and again…

Hey there,
I just wanted to ask you something because I know that you’re vegan and I don’t know anyone else who is. The forums on the internet aren’t very helpful.
Anyway, I’ll just explain briefly … about 10 yrs ago, I became vegetarian for a couple of years. I was obviously doing something wrong because I became really scrawny and people were worried about me. Anyway, I started eating meat regularly again a couple years ago, but there was one day when I just couldn’t anymore. About a year ago, I thought it should be all or nothing – I should be part of the solution and not the problem. So, I’ve been trying to be vegan off an on for the past year, but it never lasts.
I’m a martial artist, and I’m always hungry … ALL the time – every two hours, I’m starving. Sometimes, I literally double what I eat and this will only sustain me for maybe half an hour longer than usual. I just hate being hungry all the time and I can’t eat all of the time because there is no time between the classes I teach or assist, or train in.
So basically, my question is, was there ever a time that you were always starving being vegan, and if so, what did you do to overcome this? Does it just go away eventually? I’m so sorry to bother you … I will go to a dietitian, but I thought I’d ask you first. I’d appreciate any advice.

Thanks!

Hi there! Great to hear from you :) And happy for your questions! I feel like after being vegan for 14 years (and vegetarian for 16), I can help! Hehe. If you ever have any questions, please don’t hesitate.

Much like yourself, I consider myself an “active” person (well, when I’m not stuck in a van on tour lol). My absolute hero is a guy named Brendan Brazier who started the line of Vega supplements, bars and oils. The fact that you’re always hungry is a good thing. There have been times when my body literally *is* starving, from a literal lack of sustenance. A couple things I would recommend after being a sickly vegan, an unhealthy vegan, a fat vegan and finally, an aware vegan:

Get some Vega protein powder. I like the berry one…I just throw it in water and shake and it helps with achy muscles/recovery as well as delivers 100-150 per cent of your daily recommended vitamins and minerals AND MORE. Awesome right? It’s also great in smoothies with frozen berries, maybe a banana…whatever you like!
Then I’d pick up the vega omega oil (or any comparable brand). It’s an oil filled with anti-oxidants, omega 3, 6 and 9s and more. I put it on salad, stir fry, in soup….everything!!! You can even take it by itself. It’s not awesome on it’s own but basically there is zero places a vegan gets healthy brain skin and hair fat so this stuff is kinda it!

Another thing I do is use coconut oil to cook in. You’ll be amazed. Did you know olive oil, which most people use for cooking, actually turns in to a carcinogen when heated??? It also has the lowest burn temperature. Cooking with coconut oil Is a sincere treat.

Other than that I would say just focus on eating some type of protein (nuts, tofu, seitan, fake meat, edamame, leafy greens like spinach) and some type of healthy fat (uncooked olive oil, coconut oil, nuts, avocado) as often as you can and it should help. Protein and fat give you that “full” feeling…otherwise you’re just eating fruit and veggies and wasting away lol.

For recipe ideas I follow a lot of Vegans on Twitter and try my best to eat a balance of hearty, healthy food. One good thing about being Vegan is the massive quantity of food we have to eat to equal what a normal person would scarf down in a single burger ;)

I also have a lot of recipe books filled with ideas that I’ve been relying on for over a decade. How It All Vegan was one of the first I ever got and I still go back to it.
Good luck you little ninja! :D

Live at the Verge for SXSW in Austin

March 31st, 2010

Tuppence

March 25th, 2010

A Very Jerky Blog

March 3rd, 2010

Hey there.

Haven’t written in awhile. I feel as if i have less and less to say haha. I mean, not to sound like a chump, but my life is pretty boring. How is it I can be in a different city every night and it feels routine??? There’s something wrong with me…

Every day starts the same: Wake up, get coffee. Then, drive for 1 to ten hours. This is where the boring comes in. I forgot my iPod this leg of the tour so I have been living off the kindness of others…got a mixed CD made for me by Matt Brenner (who also so kindly let me borrow his guitar for the Edge Nu Music Night at the Horseshoe and a radio thing at York University…thank you Matt!) My manager Todd Arkell from Cool Planet Management made me a mixed CD too (what manager does that? Mine! He also bought me Road Crackers, aka Crackers For The Road). Blair, the guitar player in my band for some of the Ontario dates donated, by far, my favourite CD of LIFE.

It’s Bob Dylan, at 20 years old, on an hour long radio program. Not only is it amazing to hear this talented young man at the age of 20 years old speaking of his 6 years traveling with a carnival (What!?!?!) and hanging out with Woody Guthrie, among others, but it’s also entirely endearing because the host has a huge crush on him! It is hilarious. I’ve listened to it so many times I have almost burned a hole in it. At one point the interviewer asks: “Are you still going to wear that hat when you’re rich and famous?” and Bob Dylan Says “I’m never going to be rich and famous”.

Yesterday I had a day off and turned in to a slug. I left my hotel room once, to get coffee. I think my body is programmed to get up, get coffee, and drive, but when there is no where to drive I just slump back in to bed and go: “Oh…”

So ya. I was a waste of a human all day. It gave the snot in my head an opportunity to start leaking out. (ewwwww)

There’s a bunch of fun videos that people have been posting on youtube so I’ve been favouriting them at http://www.youtube.com/billythekidofficial. If you have any of your own please let me know. Also did an interview with http://www.spinner.com yesterday amidst my “No Where To Drive” Depression. It’s not up yet but if you want to know when it is I normally post those kinds of things over at http://www.twitter.com/billypettinger (not to mention a surplus of daily silliness).

I’m in Ottawa right now. I’m contemplating drinking way too much coffee for the second day in a row, mainly cause I have a whole day to kill. I’m still not ready to talk to people though lol…glad I have a few more hours haha! Yesterday was a good enough break that I actually was looking forward to seeing another human. Conversation, though….that will have to wait ;)

I realized yesterday that, given the opportunity, I could totally be one of those people who just wastes away in their hotel room. I could never understand that, up until now. You’d try to get ahold of me, I’d just ignore you…until finally someone would have to come and drag me out of bed and throw me in to a shower with all my clothes on, waking me from my stupor and shocking me back to the fold.

8 hours drive tomorrow. Then it’s a constant state of doing stuff (whether it be playing, recording or writing sessions) until South By South West. Did I mention I’m playing 5 times? I never even applied for this thing cause I figured I’d never get accepted. And if I did, probably no one would care. But ya…5 times. So weird.

Alright well I think I figured out the key to blogging…if you just don’t talk to anyone for like a whole day you actually have quite a bit to say haha. I feel like I do nothing but talk sometimes so the idea of telling the same stories but in writing gets daunting. (Hence, my disappearing for the past few weeks). Oh also I’ve traveled many a mile in the last month and it is starting to feel routine, and just feeling that makes me feel like a jerk. And I don’t want anyone to know I’m a jerk haha. From Vancouver to Winnipeg to Courtenay to L.A. to Ontario and now on to Texas and back then over to Newfoundland. Just another day. Just another jerk-y batch of stories…
Signing off, for now,
Jerky McJerkerton

I love tour

February 4th, 2010

Sometimes I feel like I live a week in a day.

Each day begins with waking up, most of the time well before I’d like to, and squeezing my bag and guitar back in to the ‘87 VW Golf my friend Aaron lent me for the West Coast portion of the tour.

Some days are the best days of my life. Some are a bit of a struggle. I just realized that what I’m doing, is actually kind of crazy!

I’m Touring, Canada, Alone, In January, In An ‘87 Golf.

Honestly, I wouldn’t have it any other way :)

The last few days have been amazing…My man flew in to Nanton, AB and surprised me on my birthday! It has been incredible having him as a co-pilot (and pilot lol). He’s so helpful, generous and thoughtful…I can’t imagine life without him and it was such a treat to have a big strong good looking man help me carry things in to venues!

I had a ten hour drive and 4 hours of sleep when I arrived to Nanton on my “Birthday Eve”. I got up to my room, an adorable old-timey suite at the top of the Auditorium Hotel, and couldn’t figure out how to use the hundred year old heater. I slumped on to the bed in exhaustion and pulled the blankets over my head. Randy called. I proceeded to tell him how much I missed him, and how much I wished he were beside me. Then there was a knock on my door.

“hold on, I think there’s someone at my door..”

I opened it, and there he was!!! :D

I jumped in to his arms and started bawling my eyes out. What a sweet sweet man. He flew from L.A. to Nanton to surprise me on my birthday. I got him for 3 more days until I had to drop him off at the Calgary airport to fly to Toronto and play with Chantal Kreviazuk. We had an amazing time driving around and going on a super fun road trip that just happened to consist of shows every night! :D

Randy used to play with Edwin from I Mother Earth and he just happened to be in Medicine Hat with ex-Our Lady Peace guitarist Mike Turner on a radio tour for their new band Crash Karma. It was pretty random when they walked in to the Derailed Pub, and even more random when we found out they’d eaten at the same Mucho Burrito we had….and Randy was the one who’d stolen the last of the mole sauce! :O Edwin was pissed lol

Last night I played the Olds Sportplex then raced over to Tracks Pub (where I’m playing tonight) to do a surprise couple of songs. This morning I was up early to do a few tunes at Rock 104.5. I’m really looking forward to the show tonight…the guys at Tracks are really awesome. If you’re a band looking to play around Alberta, I’d highly recommend them.

Tomorrow it’s a nice 9 hour drive to Kamloops, a radio interview at 6 then I play the Dirty Jersey.

I love tour :)

The Communitea Cafe in Canmore Ruined My Birthday

February 2nd, 2010

I just have to say, before I post this…my boyfriend is the best person ever.

And the people at Communitea Cafe in Canmore, RUINED my birthday.

My man wrote this, and is letting me post it.

If you are a musician, please tell your friends never to play here. It’s all we have left as a communi”tea” lol!!

Here’s what Randy has to say. Baby I love you :)

The moment we arrived to load in gear this evening we were made to feel like a major inconvenience. (by Marni)

At first i didn’t quite understand why we were getting some obvious negativity, but as this story unfolds, it becomes crystal clear.

Our first hurdle, and it was like pulling teeth, was to agree upon where we could set up merch. As you know, on a night like this when the guarantee is minimal, the merch becomes the most important aspect of making this stop financially feasible.

It turns out, they’d not only sold to capacity, which is why they (Marni) outright refused to let us have a table by which to set the merch up for display, but they’d OVER sold there venue. There were audible rumblings in the audience like “why did they sell more tickets than they had seats for?”.

We were instructed to set up merch on a part of their counter where they serve their tea… of course, there were people sitting directly in FRONT of that counter so the merch was completely obstructed as well, the area needed for either of us to stand behind the counter to tend to any customers was prioritized by their staff for their tea duties making it impossible to be directly behind the actual product…

So, to sum it up… we had to stand off to the side for most of the time…getting dirty looks from their staff (by Marni) while trying desperately to reach over a counter to tend to audience members who loved billy.

Billy ‘was’ offered food. The offer was ‘before or after’. She chose after.
Wrong choice.
The same woman (Marni) who was blatantly put off by the fact that we were there was so insanely busy selling alcohol that it would’ve been impossible for her to break away from her beloved cash register. Case in point, when i asked her (Marni) to unlock the office where our cases were stored, she delegated that to one of her friends who was an audience member there to do even that.

The accoms r a mute point. If billy had of been on her own, the ’spare’ room would’ve been fine. Although, before she found out i surprised her and showed up, she was happy about this gig saying “at least i get to play to a full house, get 50 bucks, sell some merch, and i get my own hotel room. All 4 of those points seemed to be things she was sure were part of the deal.

The show.
Billy’s banter had the audience laughing out loud, cheering, clapping etc…
They were all singing in unison to the chorus of “just tryin to get by”…

Does this sound anything like an audience’s reaction to an artist who’s energy wasn’t good?

That was a quote from Marni. Directly. Spoken to me in front of the sound guy in the back kitchen.
She actually said, “If i’d thought her energy was good, I would’ve considered paying her something”…

We were all packed up.
I told Billy to go wait in the car, and i’d settle up.
I approached Miss Negativity (Marni), who I’d i’d been desperately been trying to kill with kindness all night with no success, and asked her if I could get Billy’s fee.

She was, of course at the time, at her cash register, and instructed me to “hang on a moment”.

Approx 25 mins went by as i watched her have friendly discussions with the only 3 people left in the bar. I sat there. In full view. Remember. Full house. Packed bar from the moment the doors opened until the last note of the main act.

50 dollars.

There i sat patiently.
Chairs were being stacked on tables, no-one from the audience was left in the bar now.

Enter billy to see me sitting there.

She asks, “what’s going on?”.
I say “I have absolutely no clue, but it’s painfully obvious that i’m being blatantly ignored at this point”.

Now I actually have to go looking for Marni.
Found her in that back kitchen having a conversation with the sound guy,
I had to actually interrupt them to say, “Hey, it’s billy’s bday today (which Marni knew), would it be ok to settle up so i can let her celebrate it in some other way other than sitting out in a cold car waiting for 50 dollars?”

It’s then that Marni decides to tell me that there was never a 50 dollar figure discussed. It’s then, for the 2nd time (1st being when we were trying to set up merch) that she reminds me that she had sold out and didn’t need billy and that she was doing a favor for the agent.

Without belaboring the point of my decades in the music business, this was definitely the most rude insulting example of a artist being horribly treated I’d ever encountered.

Dear Marni,
I’m embarrassed for you that you work at an establishment called “communtea”.
Plz get a job in the back of a warehouse somewhere, where you don’t have to encounter any other humans.
Plz get out of the people business.
You’re just not cut out for this sort of thing.
You know.
People.
That thing.